Application deadline: February 24, 2026 at 23:59 Open Call results announcement: 6.3.2026
Dates of residency: 1.4.2026 – 3.5.2026
Location: SVĚTOVA 1, Praha
For any quetions, please contact: madin@svetova1.cz
Application deadline: February 24, 2026 at 23:59 Open Call results announcement: 6.3.2026
Dates of residency: 1.4.2026 – 3.5.2026 Location: SVĚTOVA 1, Praha
For any quetions, please contact: madin@svetova1.cz
Application deadline: February 24, 2026 at 23:59 Open Call results announcement: 6.3.2026
Dates of residency: 1.4.2026 – 3.5.2026 Location: SVĚTOVA 1, Praha
For any quetions, please contact: madin@svetova1.cz
Termín: 4. Srpna – 8. Srpna, každý den od 9:00 do 17:00
Kapacita: 15 lidí ve věku 17-22
Lokality: SVĚTOVA 1, Praha a okolí
Uzávěrka přihlášek: 31. 5. 2025
For any quetions, please contact: madin@svetova1.cz
About the program:
AiR SVĚTOVA 1 2026 will provide a one-month creative and research residency program for one emerging visual artist at the beginning of their career, during which they can focus on developing a new artistic project. The residency is intended to enable intensive work in the inspiring environment of the SVĚTOVA 1 gallery, support emerging artists with new perspectives in contemporary art, and provide feedback from the members of the expert committee. The aim is for the outcomes of the residency (a public lecture, workshop, and exhibition) to enrich the gallery's program and engage the local community by opening the space for more connections and young new artists. For our debut residency, we’re inviting emerging Czech-based artists to showcase local talent, with guidance and support along the way.
Residency period:
Application Deadline: 24.2.26.
Open Call Results Announcement: 6.3.26
Duration of the residency: 1.4.26 — 3.5.26
Workshop: 25.4.2026
Artist-talk: 2.5.2026
Exhibition: 1.5 — 30.5.26
About the program:
AiR SVĚTOVA 1 2026 will provide a one-month creative and research residency program for one emerging visual artist at the beginning of their career, during which they can focus on developing a new artistic project. The residency is intended to enable intensive work in the inspiring environment of the SVĚTOVA 1 gallery, support emerging artists with new perspectives in contemporary art, and provide feedback from the members of the expert committee. The aim is for the outcomes of the residency (a public lecture, workshop, and exhibition) to enrich the gallery's program and engage the local community by opening the space for more connections and young new artists. For our debut residency, we’re inviting emerging Czech-based artists to showcase local talent, with guidance and support along the way.
Residency period:
Application Deadline: 24.2.26.
Open Call Results Announcement: 6.3.26
Duration of the residency: 1.4.26 — 3.5.26
Workshop: 25.4.2026
Artist-talk: 2.5.2026
Exhibition: 1.5 — 30.5.26
About the program:
AiR SVĚTOVA 1 2026 will provide a one-month creative and research residency program for one emerging visual artist at the beginning of their career, during which they can focus on developing a new artistic project. The residency is intended to enable intensive work in the inspiring environment of the SVĚTOVA 1 gallery, support emerging artists with new perspectives in contemporary art, and provide feedback from the members of the expert committee. The aim is for the outcomes of the residency (a public lecture, workshop, and exhibition) to enrich the gallery's program and engage the local community by opening the space for more connections and young new artists. For our debut residency, we’re inviting emerging Czech-based artists to showcase local talent, with guidance and support along the way.
Residency period:
Application Deadline: 24.2.26.
Open Call Results Announcement: 6.3.26
Duration of the residency: 1.4.26 — 3.5.26
Workshop: 25.4.2026
Artist-talk: 2.5.2026
Exhibition: 1.5 — 30.5.26
Základní info:
SVĚTOVA 1 pořádá tento srpen příměstský tábor a tím poskytuje jedinečnou příležitost rozšířit si své znalosti a více se seznámit se současnou uměleckou scénou v Praze.
Týdenní příměstský tábor pro mladé od 17 do 22 let je zaměřený na poznávání současného umění a lokální umělecké scény. Týden bude složen z procházek, návštěv a seznamování se s osobnostmi, uměleckými prostory a institucemi. Seznam se s pražským uměleckým světem a poznejte blíže mechanismy naší umělecké krajiny!
Budeme společně prohlubovat své znalosti, navštěvovat současné výstavy a navazovat nové známosti s umělci*kyněmi, kurátory*kami a dalšími kulturními pracovnicemi*íky, udržujícími kulturu naživu. Naskytne se nám možnost prozkoumat umělecké ateliéry, projít si výstavní prostory mimo klasické umělecké instituce, seznámit se s lidmi a prostory, o kterých se běžně člověk nedozví. Také navštívíme zajímavé workshopy, kde si vyzkoušíme nové praktické dovednosti.
Příměstský tábor nejen prohloubí tvůj vztah k naší umělecké scéně, ale taky ti pomůže navázat budoucí spolupráce a otevřít nové dialogy v umělecké komunitě. Nabídne ti nové poznání, zkušenosti, inspirace a přátelství. Díky tomuto programu budeš mít možnost rozšířit své vědomosti a zároveň si vytvořit konexe a vztahy se stejně naladěnými lidmi a umělci*kyněmi.
Každý den bude rozdělen do 2 bloků. Každý blok bude obsahovat program naplněný informacemi a vědomostmi, proložený aktivitami pro stmelení kolektivu a vytvoření příjemné atmosféry. Seznámíme se s kreativními procesy a s pozvanými hosty*kami se podíváme na to, jak se připravuje výstava, jak vypadá umělecký ateliér, co to ten kurátor vlastně dělá.
Tábor je zaměřený pro věkovou skupinu 17–22 let, bez ohledu na studentský status. Ať studuješ nebo už pracuješ, hlavní je zájem o umění a o vzdělávání se v tomto ohledu.
About the program:
AiR SVĚTOVA 1 2026 will provide a one-month creative and research residency program for one emerging visual artist at the beginning of their career, during which they can focus on developing a new artistic project. The residency is intended to enable intensive work in the inspiring environment of the SVĚTOVA 1 gallery, support emerging artists with new perspectives in contemporary art, and provide feedback from the members of the expert committee. The aim is for the outcomes of the residency (a public lecture, workshop, and exhibition) to enrich the gallery's program and engage the local community by opening the space for more connections and young new artists. For our debut residency, we’re inviting emerging Czech-based artists to showcase local talent, with guidance and support along the way.
Residency period:
Application Deadline: 24.2.26.
Open Call Results Announcement: 6.3.26
Duration of the residency: 1.4.26 — 3.5.26
Workshop: 25.4.2026
Artist-talk: 2.5.2026
Exhibition: 1.5 — 30.5.26
Residency includes:
Please note: the studio space is located inside of the gallery space and office where our team works from from 12-18pm Tue-Sat . There is no laundry machine in the gallery, but there is a laundromat within a 5 minute walk away.
What you need to apply:
How to apply
Applicants must meet the following requirements:
! By applying for the residency, the interested party agrees with further presentation of work and/or results of the residency through a workshop, artistic lecture, and exhibition.
Resident selection (before the start of the program):
The resident will be selected by an expert committee based on application review, an online interview in the case of necessity, and alignment with the vision of SVĚTOVA 1. Before the start of the residency, an introductory meeting (in person or online) will be held to clarify the objectives, introduce the artist to the gallery team, and discuss logistics (accommodation, studio).
Residency includes:
Please note: the studio space is located inside of the gallery space and office where our team works from from 12-18pm Tue-Sat . There is no laundry machine in the gallery, but there is a laundromat within a 5 minute walk away.
What you need to apply:
How to apply
Applicants must meet the following requirements:
! By applying for the residency, the interested party agrees with further presentation of work and/or results of the residency through a workshop, artistic lecture, and exhibition.
Resident selection (before the start of the program):
The resident will be selected by an expert committee based on application review, an online interview in the case of necessity, and alignment with the vision of SVĚTOVA 1. Before the start of the residency, an introductory meeting (in person or online) will be held to clarify the objectives, introduce the artist to the gallery team, and discuss logistics (accommodation, studio).
Residency includes:
Please note: the studio space is located inside of the gallery space and office where our team works from from 12-18pm Tue-Sat . There is no laundry machine in the gallery, but there is a laundromat within a 5 minute walk away.
What you need to apply:
How to apply
Applicants must meet the following requirements:
! By applying for the residency, the interested party agrees with further presentation of work and/or results of the residency through a workshop, artistic lecture, and exhibition.
Resident selection (before the start of the program):
The resident will be selected by an expert committee based on application review, an online interview in the case of necessity, and alignment with the vision of SVĚTOVA 1. Before the start of the residency, an introductory meeting (in person or online) will be held to clarify the objectives, introduce the artist to the gallery team, and discuss logistics (accommodation, studio).
Poplatek:
Doporučená cena je 3000Kč.
Pro co největší přístupnost programu pro minoritní skupiny a lidi s menšími finančními možnostmi jsme zvolili způsob „zaplať co můžeš”, v přihlašovacím formuláři je možné si sám zvolit velikost poplatku na základě možnosti přihlašujícího. Následně po přihlášení a potvrzení vám zašleme fakturu pro uhrazení poplatku za participaci. Chtěli bychom ještě jednou upozornit že tento program není zadarmo.
Co poplatek obsahuje:
Účast na programu a workshopech
Odborný dozor producentů a pedagoga
Přednášky a konzultace od hostů*ek
Návštěva uměleckých prostor a komentované prohlídky
Malé občerstvení v prostorách SVĚTOVA 1
Co poplatek neobsahuje:
Stravování (doporučujeme si sebou vzít kapesné 200Kč na den)
Ubytování v Praze
Postup výběru účastnictva
Účastnictvo vybíráme podle data odevzdání přihlášky a splnění všech podmínek k přijetí na tábor. Žádné speciální okolnosti ani řízení nejsou součástí výběru. Orientujeme se pouze podle rychlosti odevzdání a bereme prvních 15 lidí v řadě.
Residency includes:
Please note: the studio space is located inside of the gallery space and office where our team works from from 12-18pm Tue-Sat . There is no laundry machine in the gallery, but there is a laundromat within a 5 minute walk away.
What you need to apply:
How to apply
Applicants must meet the following requirements:
! By applying for the residency, the interested party agrees with further presentation of work and/or results of the residency through a workshop, artistic lecture, and exhibition.
Resident selection (before the start of the program):
The resident will be selected by an expert committee based on application review, an online interview in the case of necessity, and alignment with the vision of SVĚTOVA 1. Before the start of the residency, an introductory meeting (in person or online) will be held to clarify the objectives, introduce the artist to the gallery team, and discuss logistics (accommodation, studio).

Theme: (How) can imagination through art help solve current crises?
The current social order is characterized by a concurrency of many local and global crises – ecological, humanitarian, political, economic, or mental health crisis. At the same time, we are witnessing the rise of the far-right and the associated forms of racism, ableism, and queerphobia. A return to the supposedly "normal state" is not possible – not only because there has never been a universal norm, but also because many of today's crises are a direct consequence of this "old" world order. This can lead us to strive to live, think, and create differently. The main question of the open call in this regard is: (Hhow) can imagination through art help solve the current crises? We welcome different approaches, media, and theses within the open call. We do not have a clear answer to this question, which is why we are interested in your perspective.
There are too many potential solutions, responding to different trends in society and often contradictory. Examples of questions that participating artist can address include: What kinds of imagination can help in the context of art? Could it be dystopian thinking, because dystopias highlight various shortcomings of contemporary society, leading us to strive to eradicate these shortcomings? Or are they unproductive because they are too demotivating? Are they utopias because they have the power to motivate people to create a better social order for a better future? Or are utopias mere escapism? And is it even possible to imagine a universal utopia for everyone? Can examining different "non-Western" societies and striving to transform our society through decolonization help us? Can examining different non-human organisms and drawing inspiration from, for example, the non-hierarchical structure of trees help us? What can ants teach us? Pigeons? Mushrooms? Geology? The universe? Is criticism of capitalism the cure for the current crises? Patriarchy? The commodification of animals? The "traditional" concept of "health"? Will communities save us? Safe spaces, safer spaces, or brave spaces? Or is the weapon against crises hidden in queer joy? Or in the transformative power of sadness? Or in the creativity of creative destruction? Or in humor and continuing the wave of post-irony inspired by the alt-right movement? Will acceleration save us? Or, on the contrary, non-growth? Can the master's tools dismantle the master's house, or should we (following the example of glitch feminism, for example) try to find cracks in the current system and exploit them? Is it better to proceed through criticism of the current system or through imagination of a new system? Is the answer hidden in only one of these imaginations, or are they rather interconnected? Should one always stand against the evil that one is currently capable of fighting, or is it possible to universally solve all crises at once? Can art even claim to transform society or provide some hope? Is hope a productive tool at all? Or, in this context, should the goal of art in times of crisis be to comfort, because collapse is already inevitable?
We are looking for art that engages in any way with the theme of imagination in the context of solving current crises—whether negatively, positively, objectively, subjectively, naively, critically, or otherwise. Art that responds to any of the above or similar questions. What is important to us is a reflection on its position, what crisis the art is responding to, and what approach it takes.
Residency’s structure
Week 1 of the residency focuses on introduction and planning. The artist settles into the studio, familiarising themselves with the gallery and local scene. An introductory meeting with curators discusses the project and work schedule. They develop the exhibition concept and plan the creative process. SVĚTOVA 1 may arrange meetings with community members, other artists, and experts to build connections.
Week 2 is dedicated to intensive creative work. The resident works on their art project, developing paintings, objects, installations, or other forms depending on their style. Ongoing consultations with curators ensure the project stays on track. Mid-week, an informal “open studio” allows gallery staff and colleagues to visit and provide feedback. Preparations for the workshop begin, with the resident developing the programme and gathering materials.
Week 3 sees continued creation and the planning of a public workshop. This workshop offers the public a chance to understand the creative process and actively participate. The resident collaborates with the gallery to plan the exhibition installation, selecting works and arranging them in a 30m² space.
In Week 4 of the residency, the final implementation and presentation take place. At the week’s start, the resident completes all their work and, with the gallery’s technical support, installs the exhibition in the gallery space. A public lecture follows, where the resident presents their project, discusses their inspirations and residency experiences. The week concludes with the exhibition’s opening, showcasing the resident’s final works. Open to the public for a month during gallery hours, the exhibition marks the residency’s culmination. The resident, gallery team, and the expert committee then reflect on the program’s course and impact.
Theme: (How) can imagination through art help solve current crises?
The current social order is characterized by a concurrency of many local and global crises – ecological, humanitarian, political, economic, or mental health crisis. At the same time, we are witnessing the rise of the far-right and the associated forms of racism, ableism, and queerphobia. A return to the supposedly "normal state" is not possible – not only because there has never been a universal norm, but also because many of today's crises are a direct consequence of this "old" world order. This can lead us to strive to live, think, and create differently. The main question of the open call in this regard is: (Hhow) can imagination through art help solve the current crises? We welcome different approaches, media, and theses within the open call. We do not have a clear answer to this question, which is why we are interested in your perspective.
There are too many potential solutions, responding to different trends in society and often contradictory. Examples of questions that participating artist can address include: What kinds of imagination can help in the context of art? Could it be dystopian thinking, because dystopias highlight various shortcomings of contemporary society, leading us to strive to eradicate these shortcomings? Or are they unproductive because they are too demotivating? Are they utopias because they have the power to motivate people to create a better social order for a better future? Or are utopias mere escapism? And is it even possible to imagine a universal utopia for everyone? Can examining different "non-Western" societies and striving to transform our society through decolonization help us? Can examining different non-human organisms and drawing inspiration from, for example, the non-hierarchical structure of trees help us? What can ants teach us? Pigeons? Mushrooms? Geology? The universe? Is criticism of capitalism the cure for the current crises? Patriarchy? The commodification of animals? The "traditional" concept of "health"? Will communities save us? Safe spaces, safer spaces, or brave spaces? Or is the weapon against crises hidden in queer joy? Or in the transformative power of sadness? Or in the creativity of creative destruction? Or in humor and continuing the wave of post-irony inspired by the alt-right movement? Will acceleration save us? Or, on the contrary, non-growth? Can the master's tools dismantle the master's house, or should we (following the example of glitch feminism, for example) try to find cracks in the current system and exploit them? Is it better to proceed through criticism of the current system or through imagination of a new system? Is the answer hidden in only one of these imaginations, or are they rather interconnected? Should one always stand against the evil that one is currently capable of fighting, or is it possible to universally solve all crises at once? Can art even claim to transform society or provide some hope? Is hope a productive tool at all? Or, in this context, should the goal of art in times of crisis be to comfort, because collapse is already inevitable?
We are looking for art that engages in any way with the theme of imagination in the context of solving current crises—whether negatively, positively, objectively, subjectively, naively, critically, or otherwise. Art that responds to any of the above or similar questions. What is important to us is a reflection on its position, what crisis the art is responding to, and what approach it takes.
Residency’s structure
Week 1 of the residency focuses on introduction and planning. The artist settles into the studio, familiarising themselves with the gallery and local scene. An introductory meeting with curators discusses the project and work schedule. They develop the exhibition concept and plan the creative process. SVĚTOVA 1 may arrange meetings with community members, other artists, and experts to build connections.
Week 2 is dedicated to intensive creative work. The resident works on their art project, developing paintings, objects, installations, or other forms depending on their style. Ongoing consultations with curators ensure the project stays on track. Mid-week, an informal “open studio” allows gallery staff and colleagues to visit and provide feedback. Preparations for the workshop begin, with the resident developing the programme and gathering materials.
Week 3 sees continued creation and the planning of a public workshop. This workshop offers the public a chance to understand the creative process and actively participate. The resident collaborates with the gallery to plan the exhibition installation, selecting works and arranging them in a 30m² space.
In Week 4 of the residency, the final implementation and presentation take place. At the week’s start, the resident completes all their work and, with the gallery’s technical support, installs the exhibition in the gallery space. A public lecture follows, where the resident presents their project, discusses their inspirations and residency experiences. The week concludes with the exhibition’s opening, showcasing the resident’s final works. Open to the public for a month during gallery hours, the exhibition marks the residency’s culmination. The resident, gallery team, and the expert committee then reflect on the program’s course and impact.
Theme: (How) can imagination through art help solve current crises?
The current social order is characterized by a concurrency of many local and global crises – ecological, humanitarian, political, economic, or mental health crisis. At the same time, we are witnessing the rise of the far-right and the associated forms of racism, ableism, and queerphobia. A return to the supposedly "normal state" is not possible – not only because there has never been a universal norm, but also because many of today's crises are a direct consequence of this "old" world order. This can lead us to strive to live, think, and create differently. The main question of the open call in this regard is: (Hhow) can imagination through art help solve the current crises? We welcome different approaches, media, and theses within the open call. We do not have a clear answer to this question, which is why we are interested in your perspective.
There are too many potential solutions, responding to different trends in society and often contradictory. Examples of questions that participating artist can address include: What kinds of imagination can help in the context of art? Could it be dystopian thinking, because dystopias highlight various shortcomings of contemporary society, leading us to strive to eradicate these shortcomings? Or are they unproductive because they are too demotivating? Are they utopias because they have the power to motivate people to create a better social order for a better future? Or are utopias mere escapism? And is it even possible to imagine a universal utopia for everyone? Can examining different "non-Western" societies and striving to transform our society through decolonization help us? Can examining different non-human organisms and drawing inspiration from, for example, the non-hierarchical structure of trees help us? What can ants teach us? Pigeons? Mushrooms? Geology? The universe? Is criticism of capitalism the cure for the current crises? Patriarchy? The commodification of animals? The "traditional" concept of "health"? Will communities save us? Safe spaces, safer spaces, or brave spaces? Or is the weapon against crises hidden in queer joy? Or in the transformative power of sadness? Or in the creativity of creative destruction? Or in humor and continuing the wave of post-irony inspired by the alt-right movement? Will acceleration save us? Or, on the contrary, non-growth? Can the master's tools dismantle the master's house, or should we (following the example of glitch feminism, for example) try to find cracks in the current system and exploit them? Is it better to proceed through criticism of the current system or through imagination of a new system? Is the answer hidden in only one of these imaginations, or are they rather interconnected? Should one always stand against the evil that one is currently capable of fighting, or is it possible to universally solve all crises at once? Can art even claim to transform society or provide some hope? Is hope a productive tool at all? Or, in this context, should the goal of art in times of crisis be to comfort, because collapse is already inevitable?
We are looking for art that engages in any way with the theme of imagination in the context of solving current crises—whether negatively, positively, objectively, subjectively, naively, critically, or otherwise. Art that responds to any of the above or similar questions. What is important to us is a reflection on its position, what crisis the art is responding to, and what approach it takes.
Residency’s structure
Week 1 of the residency focuses on introduction and planning. The artist settles into the studio, familiarising themselves with the gallery and local scene. An introductory meeting with curators discusses the project and work schedule. They develop the exhibition concept and plan the creative process. SVĚTOVA 1 may arrange meetings with community members, other artists, and experts to build connections.
Week 2 is dedicated to intensive creative work. The resident works on their art project, developing paintings, objects, installations, or other forms depending on their style. Ongoing consultations with curators ensure the project stays on track. Mid-week, an informal “open studio” allows gallery staff and colleagues to visit and provide feedback. Preparations for the workshop begin, with the resident developing the programme and gathering materials.
Week 3 sees continued creation and the planning of a public workshop. This workshop offers the public a chance to understand the creative process and actively participate. The resident collaborates with the gallery to plan the exhibition installation, selecting works and arranging them in a 30m² space.
In Week 4 of the residency, the final implementation and presentation take place. At the week’s start, the resident completes all their work and, with the gallery’s technical support, installs the exhibition in the gallery space. A public lecture follows, where the resident presents their project, discusses their inspirations and residency experiences. The week concludes with the exhibition’s opening, showcasing the resident’s final works. Open to the public for a month during gallery hours, the exhibition marks the residency’s culmination. The resident, gallery team, and the expert committee then reflect on the program’s course and impact.
Program a struktura:
Základní témata
Současná umělecká scéna v Praze
Jak vypadají ateliéry umělců, procesy umělecké tvorby
Jak to vypadá při vytváření výstavy, co to obnáší
Jaké to je být umělcem v Praze
Diskuze s umělci, kurátory, producenty a svými vrstevníky
Pro koho je příměstský tábor
Lidé ve věkové kategorii 17–22 let
Studentsvo, začínající umělctvo, lidi se zájmem pro umění
Co získají účastníci*ice?
Cenné vědomosti a znalosti ohledně současné umělecké scény v Praze.
Nová přátelství a známosti s dalšími participujícími a s osobnostmi umělecké scény.
Osobní setkání s osobnostmi aktivními na umělecké scéně.
Příležitost nahlédnout do pozadí uměleckého provozu.
Odborný dozor, aneb s kým tam jedeme?
Zai Xu (*1998) je umělec, kurátor a zakladatel artist-run space SVĚTOVA 1. Ve své umělecké praxi reaguje na témata queer, stresu a úzkosti. Od roku 2018, kdy založil uměleci*kyněmi vedený prostor SVĚTOVA 1, se zaměřuje na propagaci mladého umění, experimentaci ve výstavnictví a hledáním optimálního schématu udržitelnosti. Xu se dramaturgicky a kurátorsky spolupodílí na všech aktivitách SVĚTOVA 1, kde za dobu její existence spoluprodukoval více než 24 výstav a sedm desítek doprovodných programů. V roce 2022 inicioval edukativně výzkumnou sérii As We Grow zaměřenou na mezigenerační dialog a s ním spojenou výměnu zkušeností.
Iveta Schovancová (*1992) absolvovala bakalářské studium fotografie na UMPRUM v Praze a magisterské studium v ateliéru Nových médií II na AVU v Praze. Ve své tvorbě pracuje nejčastěji s fotografickým a pohyblivým obrazem a textilními objekty v rámci instalací. Ve své práci zkoumá proměňující se způsoby dorozumívání a vnímání ve vztahu ke kapacitě a distribuci pozornosti na pozadí vzájemné koexistence člověka, techniky a neosobních systémů. V minulosti představila své práce například na výstavě LEVELS, LEAVES v galerii City Surfer Office v Praze, False Vampires, Strangled Nightingales and Morning Awakers v Galerii TIC v Brně nebo v rámci výstavy Floor is Lava v Kunsthalle v Bratislavě. V současné době vyučuje na střední uměleckoprůmyslové škole textilních řemesel v Praze v ateliéru Nových médií.
O SVĚTOVA 1
SVĚTOVA 1 je neziskový umělecký prostor a platforma zaměřující se na současná, queer a sociální témata. Jde o holistickou entitu vedenou umělci*umělkyněmi, která prostřednictvím výstav a veřejných programů reaguje na aktuální dění ve Světě. Není důležité jen to, co prezentujeme, ale také jak – usilujeme o to být uměleckým, vzdělávacím i výzkumným institutem. Naším cílem je naplno se vyjádřit, dosáhnout celkové udržitelnosti a nabídnout útočiště těm, kteří*které ho potřebují.
SVĚTOVA 1 vznikla v září roku 2018 z pocitu potřeby vytvořit prostor pro nás a lidi jako my. Studentstvo, minority, underdogs, queers a ty, kteří*ré z různých důvodů zanechali*y svá studia a nyní se potýkají s problémy vyznat se v tomto dospěláckém Světě. V průběhu své existence se koncept prostoru kontinuálně transformuje a rozvíjí podle zájmů a potřeb našeho členstva s cílem propojit mladou generaci se sociálně-politickými událostmi probíhajícími ve Světě skrze uměleckou tvorbu, její prezentaci a další edukativně-komunitní projekty.
SVĚTOVA 1 je založena na základech sdílených hodnot členstva, přátel a návštěvnictva, a reflektuje či hledá způsoby, jak aplikovat potřeby kvíření a inkluzivity ve své praxi. Zároveň zkoumá formy, jak tyto získané poznatky předávat dál.
Theme: (How) can imagination through art help solve current crises?
The current social order is characterized by a concurrency of many local and global crises – ecological, humanitarian, political, economic, or mental health crisis. At the same time, we are witnessing the rise of the far-right and the associated forms of racism, ableism, and queerphobia. A return to the supposedly "normal state" is not possible – not only because there has never been a universal norm, but also because many of today's crises are a direct consequence of this "old" world order. This can lead us to strive to live, think, and create differently. The main question of the open call in this regard is: (Hhow) can imagination through art help solve the current crises? We welcome different approaches, media, and theses within the open call. We do not have a clear answer to this question, which is why we are interested in your perspective.
There are too many potential solutions, responding to different trends in society and often contradictory. Examples of questions that participating artist can address include: What kinds of imagination can help in the context of art? Could it be dystopian thinking, because dystopias highlight various shortcomings of contemporary society, leading us to strive to eradicate these shortcomings? Or are they unproductive because they are too demotivating? Are they utopias because they have the power to motivate people to create a better social order for a better future? Or are utopias mere escapism? And is it even possible to imagine a universal utopia for everyone? Can examining different "non-Western" societies and striving to transform our society through decolonization help us? Can examining different non-human organisms and drawing inspiration from, for example, the non-hierarchical structure of trees help us? What can ants teach us? Pigeons? Mushrooms? Geology? The universe? Is criticism of capitalism the cure for the current crises? Patriarchy? The commodification of animals? The "traditional" concept of "health"? Will communities save us? Safe spaces, safer spaces, or brave spaces? Or is the weapon against crises hidden in queer joy? Or in the transformative power of sadness? Or in the creativity of creative destruction? Or in humor and continuing the wave of post-irony inspired by the alt-right movement? Will acceleration save us? Or, on the contrary, non-growth? Can the master's tools dismantle the master's house, or should we (following the example of glitch feminism, for example) try to find cracks in the current system and exploit them? Is it better to proceed through criticism of the current system or through imagination of a new system? Is the answer hidden in only one of these imaginations, or are they rather interconnected? Should one always stand against the evil that one is currently capable of fighting, or is it possible to universally solve all crises at once? Can art even claim to transform society or provide some hope? Is hope a productive tool at all? Or, in this context, should the goal of art in times of crisis be to comfort, because collapse is already inevitable?
We are looking for art that engages in any way with the theme of imagination in the context of solving current crises—whether negatively, positively, objectively, subjectively, naively, critically, or otherwise. Art that responds to any of the above or similar questions. What is important to us is a reflection on its position, what crisis the art is responding to, and what approach it takes.
Residency’s structure
Week 1 of the residency focuses on introduction and planning. The artist settles into the studio, familiarising themselves with the gallery and local scene. An introductory meeting with curators discusses the project and work schedule. They develop the exhibition concept and plan the creative process. SVĚTOVA 1 may arrange meetings with community members, other artists, and experts to build connections.
Week 2 is dedicated to intensive creative work. The resident works on their art project, developing paintings, objects, installations, or other forms depending on their style. Ongoing consultations with curators ensure the project stays on track. Mid-week, an informal “open studio” allows gallery staff and colleagues to visit and provide feedback. Preparations for the workshop begin, with the resident developing the programme and gathering materials.
Week 3 sees continued creation and the planning of a public workshop. This workshop offers the public a chance to understand the creative process and actively participate. The resident collaborates with the gallery to plan the exhibition installation, selecting works and arranging them in a 30m² space.
In Week 4 of the residency, the final implementation and presentation take place. At the week’s start, the resident completes all their work and, with the gallery’s technical support, installs the exhibition in the gallery space. A public lecture follows, where the resident presents their project, discusses their inspirations and residency experiences. The week concludes with the exhibition’s opening, showcasing the resident’s final works. Open to the public for a month during gallery hours, the exhibition marks the residency’s culmination. The resident, gallery team, and the expert committee then reflect on the program’s course and impact.